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THE ARGOSY PLAYERS - LIVERPOOL

The Argosy Players in: To-Day The Feast by Bill Brookes (Staff)

Staged: 29 March 1955 in the Basement Theatre Head Office Water Street Liverpool

Bearing in mind that the last time the Argosy Players staged a new play by Martins staff member Bill Brookes, the comments made by Martins Bank Magazine were harsh to say the least, both Bill and the Players might well have heaved a sigh of relief when they read the article below.  “To-Day the Feast”, not previously performed in front of ANY audience is given a far nicer reception and the criticism seems not only fairer, but also constructive in an altogether less brutal fashion than the comments made about “Thunder in Arden”.  A certain pomposity is still evident, especially in remarks such as:  His disguise as a member of  the proletariat was utterly convincing.  In any case, this is another of those productions performed mainly for fun in front of colleagues, and with the aim of keeping acting skills sharpened and ready for the next big stage outing for the Argosy Players…

The Music Section and the Argosy Players combined forces to present an entertainment to the members of the Society in the Basement Theatre at Head Office on the evening of March 29th. The Argofor Players have made quite a reputation for themselves one way or another, mostly in connection with the Overseas branch annual dinners and the annual reunions of Liverpool District ex-servicemen. They certainly lived up to it on May 13th. Ken Johnson with his ukelele and with his impersonations. Duncan Milne and Ken with their skit on the B.B.C. street interviews, and the uproarious ‘broadcast’ by Stewart Squirrell. Anthony Taylor, Ken and Duncan:— “Shine the Lamp on Banking”. It was all very good fun. Then, after the interval for refreshments, came the piece de resistance, a new one-act play by William Brookes, “To-day the Feast”, never previously performed on any stage and, judging by the performance as compared with the script, never likely to be performed again with exactly the same words! The fun they had rehearsing it was just nobody's business. This drama of Ruritania, revolution, grand duchesses and a bomb plot was put over with an enthusiasm remarkable even for an amateur production. The author himself took the part of the Third Secretary, and it was not surprising that he portrayed it well seeing that he knew how he intended it to be played. Marlis Harvey looked every inch a duchess. Her figure and bearing were regal and her imperious manner was in the best Continental tradition. Brian Isaacson as Colonel Alboni so completely entered into the part of the heel-clicking, choleric, dim-witted regular officer, that it was impossible to identify him at all, for an excellent disguise had destroyed the last of his visual personality. Quite the best bit of acting we have seen him do. Norman Leach as the revolutionary who feels faint if anyone mentions the word “ blood ” also gave us the best performance of his we have so far seen. His disguise as a member of  the proletariat was utterly convincing. And how nice it was to see Maureen Dempster in a new type of character part, this time as the hard-bitten American journalist. Her stay in America obviously helped her to do this realistically. Lastly, there was Hazel Buckley, appearing on our stage for the first time, though she has for a long time been a tower of strength behind the scenes. As the enemy within the gates, so to speak, the receptionist who is all along in league with the revolutionaries, she made a very promising debut, and we hope to see her again. Eric Wylie compered the show and Reg. Webster officiated at the piano. At the conclusion of the entertainment Mr. R. H. Price Chairman of the Society, voiced the thanks of all the members for a very happy evening.

In the image above: Left to right:—Hazel Buckley, Bill Brookes. Brian Isaacson, Norman Leach. Marlis Harvey, and Maureen Dempster

 

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